This is a taut, insistent, and very compact thriller, with a grim leadenness that keeps it from ever becoming hysterical. It owes much of its potency to Aldrich's ability to hold the reader's interest, without ever allowing the narrative to take a mischievous, flippant turn. There are many scenes in which the characters, especially the women, stare with an almost hypnotic fixity, or strain their eyes to peer down a gaping abyss. And there are constant reminders of the horror and excitement of being in a strange place, from the seemingly endless universe of the ocean around the characters, to the blind regard of the Mexican fishing folk for the white angels. But Aldrich keeps the story so focused that there are never any cheap thrills for the reader; he never allows a vivid setting to become a mere backdrop for the action. In a sense, the book is about the characters, as well as the situation they find themselves in, and the part they play, and the inevitable outcome of that role. The characters are all in a sense interchangeable, and despite the author's insistence on their individual dimensions, they can be read as interdependent, moving through their story as elements of a whole.
“I’m very happy with the team and the city of Tampa and the organization. I’m very happy with everything that’s going on and the years to come I hope it’s a lot of fun,” he said. “I want to do everything I can to help and be a part of that. I’ve been here a long time and I love Tampa and I want to be a part of this team. That’s really what I’m about. I’ve been doing that since the beginning, it’s a team sport,” he said. “I’m in a good position. I’m a good coach and I’m in the National Hockey League.”
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