The MS compressor from Native Instruments is a classic compressor. The dynamic range is controlled through a continuous, analog-like curve. You get the traditional MS-style user interface and knobs, which you can use to get as close to the mastering sound as you want.
If you are looking for a hi-fi-quality compressor that is a bit more expensive, then you can't do better than the Mellotron. It has a seven-band graphic equalizer, an input level meter, a stereo limiter, two stereo compressors, and a master attenuator. It also offers a side-chain compressor. This compressor is excellent.
The Pure Vision is a stereo compressor for critical level reduction. The true peak compressor section is followed by the Class-A compressor, and a variable-rate limiter that is followed by an expander.
The MS compressor has a compressor section with a frequency-dependent resonance control that changes the broadband curve in real-time. There are three band-pass filters with a very fast response, and a high-pass filter that works on the total amount of dB reduction. After the compressor, you have a limiter that regulates the input level and an expander to increase the dynamic headroom.
When you use Shadow Hills Mastering Compression to send your tracks to tape, you can also use the Class-A output transformer to send your input signal to tape or converter and not degrade it at all, or send it to the converter, where it will be overdriven. Also, when you switch to the Class-A output transformer the current in the transformer will increase, this is not an effect, and it will actually boost the signal. So you can use the Iron Mastering Compressor and the Class-A output transformer to insert a tape into your mix, or use it to boost your tape or converters.
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